REVIEW: Improvisation to music
Showstopper! King s Head Theatre Four stars Showstopper! makes you feel good. It s interactive, funny, and you can t take your eyes off the stage. If you can remember Whose Line is it Anyway? you ve got it, except that this builds itself into an hour-l
King's Head Theatre
Showstopper! makes you feel good. It's interactive, funny, and you can't take your eyes off the stage. If you can remember "Whose Line is it Anyway?" you've got it, except that this builds itself into an hour-long musical.
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Huddled by the stage, a bunch of talented actor/singers wait to spring into action and respond to whatever's thrown at them. In the opposite corner sits the director, notebook in hand.
It's this witnessing of theatre unfolding before your eyes, the chattering audience like one round a boxing ring that gives it the edge. The King's Head is the perfect venue - casual and cramped, home of alternative dinner theatre.
- 1 MP bemoans closure of Lloyds Bank in Muswell Hill
- 2 Swimmers find exotic python lurking outside lido
- 3 Dusty Springfield to Doris Lessing: A dive into West Hampstead history
- 4 Christmas at Kenwood light trail gets go-ahead
- 5 'As a welcoming, tolerant and caring community, we have all lost'
- 6 Golders Green Hippodrome sold as Islamic centre plan abandoned
- 7 'Unacceptable': Fury over Crouch End roadworks diverting W5 bus
- 8 Top spooky Halloween events in Hampstead and Highgate
- 9 'Bravery and courage': Fred Barnes plaque unveiled in Maida Vale
- 10 Hundreds gather on Primrose Hill to mourn Nicole Hurley
A myriad of musical styles established, we're into the first scene of Liars Die Too, with a well-drilled chorus and a cracking opening number that would put Lloyd Webber in the shade.
It's no mean feat to keep the energy, imagination and discipline this sharp for an hour and the show suffers from self-referencing, bits of corpsing and moments of near collapse.
No matter, the audience is with it all the way, as are the excellent musicians, and director Dylan Emery interjects to cue tableaux, numbers and lights, improvising as much as the cast and just as watchable.
There are some witty, well pitched exchanges by Ruth Bratt, but co-creator Adam Meggido carries the show with his sheer commitment to character - and for my money, the cast would do well to follow his lead more faithfully.