REVIEW: Back of the throat, Old Red Lion Islington
Four star rating The subtelty required to balance the burden of national security while maintaining personal freedom is the essence of this thought-provoking drama. In the aftermath of a terrorist attack Khaled,
Back of the throat
Old Red Lion
Islington
Until October 11
You may also want to watch:
Four star ratingequired to balance the burden of national security while maintaining personal freedom is the essence of this thought-provoking drama.
In the aftermath of a terrorist attack Khaled, an Arabian-born writer and American citizen, allows a pair of government agents into his apartment.
Most Read
- 1 Hundreds gather on Primrose Hill to mourn Nicole Hurley
- 2 'Let's save The Victoria pub in Highgate'
- 3 Primrose Hill candlelight vigil to celebrate life of Nicole Hurley
- 4 Kentish Town teen creates football team to 'bring community together'
- 5 Hundreds arrested after police crackdown on county lines
- 6 Hampstead Miss Universe GB finalist champions mixed-heritage representation
- 7 Guilty: Kentish Town man convicted of murdering Jack Ampadu
- 8 Former pupils launch creative fund to honour inspirational teacher
- 9 Man charged with murder of Nicole Hurley in Primrose Hill
- 10 Koko to return with extra venues and community spaces for musicians
The agents, led by the aggressive Bartlett (Malcolm Freeman) and the seemingly placid Carl (Mark Curtis), are searching for an accomplice of Asfoor (Tom Kanji), an identified terrorist.
Khaled, played with confidence by the experienced Ameet Chana of EastEnders and Bend It Like Beckham fame, gladly attempts to help the officials with their enquiries.
But he is abruptly forced to rue his decision when a stash of 'suspicious' literature is discovered - a copy of the Koran, books on firearms and Islamic militancy and a stack of girlie magazines.
Khaled's attempt to justify their presence as research material is considered implausible and suspicions soar when the agents discover he has made inappropriate advances to librarian Shelly (Kira Lauren).
The misleadingly simple set cleverly uses a trio of wardrobe doors as an entry point for Khaled's ex-girlfriend Beth, lap-dancer Jean (both played by Lauren) and terrorist Asfoor to relay the story's background.
The strength of Arab American playwright Yussef El Guindi's award-winning offering is his ability to abstain throughout from providing a definitive answer to the accused's innocence or guilt.
By refraining from reaching a conclusion El Guindi forces the audience to recognise the variety of viewpoints and explanations for an individual's actions.
This cleverly scripted and well-acted play shows how easily guilt can be attributed to a person by a suspicious regime and an accurate, if dramatic, view of the post 9/11 world.
Simon Jackson
