Album review: Thomas Bartlett – Shelter
- Credit: Archant
Bartlett’s debut is an open invitation to float gently through pools of calming piano
Experienced composer and producer, Bartlett – who’s the pianist in The Gloaming, has toured solo as Doveman, played with The National and Anohni among others and produced Yoko Ono, Sufjan Stevens and St Vincent – fronts a record under his own name for the first time.
Shelter is a sequence of eight piano “nocturnes”, recorded at the beginning of lockdown across the pond in New York City, Bartlett’s home for the last 21 years.
The album’s back story is a stark reminder of that time – on the first day of lockdown, Bartlett walked the five miles from home to his studio in Manhattan, passing maybe five people over the course of 100 blocks, and through a deserted Times Square.
Compounding the shock and distress, only a day earlier he had said goodbye to his partner, who had to fly back to England.
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It’s easy to see these songs as a shield from the uncertainty and fear lapping at his feet, and those of virtually every city-dweller the world over; Bartlett found solace in composing these delightful nocturnes, naming each after a rose in a deliberate obfuscation of meaning in favour of feeling.
Best taken in as an album, Shelter is a passport to that oft-elusive escapism, all soft notes and plenty of space left for them to ripple into the silence.
- 1 'The euphoria felt like the Summer of Love' – Kaleidoscope at Ally Pally
- 2 'Like the Fleet's resurfaced': Flash flooding hits Hampstead and Highgate
- 3 'Wartime spirit' as residents save shops from flash floods
- 4 Teenager's artwork reimagines grandfather's class photo
- 5 Letters: The floods!
- 6 Haringey Council launches investigation into land deal with rapper
- 7 5 great places in north London to get away from the summer crowds
- 8 North London floods return – with South End Green deluged again
- 9 Highgate's assassin: the student hostel where a murder was planned
- 10 Flash floods 'three feet high' leave basement flats 'uninhabitable'
Phoenicia’s inquisitive and expressive top line dabbles above a pensive and languorous counter-melody that anchors the song, while Rubrifolia’s recurring melody unfurls daintily towards the sun.
Multiflora’s beauty lies in its eddies and gently babbling motifs, and the delicate tip-toeing of Xanthina calms the nerves like an aural Xanax (without any of the side effects).
While it might be his first stab at a solo piano record, Shelter invites favourable comparisons with other modern classical composers like Max Richter, Ludovico Einaudi, Ólafur Arnalds, Nils Frahm, and Chilly Gonzales’ Solo Piano series. A considered record, it’s all the more remarkable for being composed from scratch in just 48 hours. Born during a time of panic, Shelter is a timeless record of refuge.