Property match: Kentish Town house (with own drawbridge) WLTM artistic owner
- Credit: Archant
This NW5 property is looking for an artistic partner to love its sense of space and abundance of natural light
For the Greenacres, their home on Countess Road was love at first sight. The couple were the first to view the property and put an offer in straight away.
“It was pure luck that we found it,” says Heidi Greenacre.
The house is in the golden triangle of NW5: a residential area with a lovely community vibe and Hampstead Heath to the west.
Now it is back on the market for £935,000, and its owners hope it will find another perfect match.
You may also want to watch:
For the past year Heidi, an interior designer, and Andy, the picture editor at The Telegraph, have lived in this unique house with their two dachshunds, Marmite and Tetley.
Whilst the love between property and owner remains, Heidi’s new passion for pottery and her burgeoning career as a ceramicist have prompted the pairing to part ways. Although the house has plenty of vertical space, its temperament is unsuited to the dust and clutter attendant to a resident potter.
- 1 'Big elephant's backside': David Hare and Nicole Farhi slam house plans
- 2 Armed police search Tube at Finchley Road and find 'imitation' gun
- 3 Buyers launch legal action after £75k bill for flammable cladding
- 4 Teenage girls charged with Hampstead robberies
- 5 'He was mesmerising': Barney Hoskyns on Prince, five years on
- 6 Mary Feilding Guild: New Highgate owner claims 'widespread Legionella'
- 7 HIV 'progress is stalling' says Royal Free doctor who consulted on It's A Sin
- 8 Camden Council seeks to honour Covid-19 pandemic heroes
- 9 Boy George and Bananarama join Kenwood 2021 concert line up
- 10 Arguments over Heath impact of homes in Jack Straw's Castle car park
“My new passion has slightly taken over,” says Greenacre. Their stay has been short but sweet, and the pair will be sorry to leave. “I should have taken up knitting,” she jokes.
The house on Countess Road was built in 1975, on the back of a Victorian terrace. Two of the original back rooms were co-opted to create the new property, and the original brickwork of the garden walls have been incorporated into the fabric of the building. Split over four half levels, the property has a unique personality. Light pours in through the glass walls, ceilings and roofs and the split levels make for a great sense of space. Particularly striking is the design of the glass elements used in the building.If you look back on the house from the garden, the interlocking mono-pitched roofs and glass walls stack on top of each other in a series of polygons. The effect is like that of a Cubist painting, or an abstracted child’s drawing of a house.
Not much is known about the original architect, Brian Muckley, but it is believed that he worked on the refurbishment of the Barbican Centre. Greenacre has also been told that Muckley was a fan of maritime design, and the house has several elements that could be described as nautical. The split levels are connected by a series of narrow landings reminiscent of gangways, with metal balustrades like those of a ship. The garden also features a fully working drawbridge, although the original moat has been filled in by previous owners. The new owner could always restore the moat, should they wish to create their own private love island.
Moat notwithstanding, the garden is a peaceful and private space, set far back from the road. On the other side of the bridge sits a conservatory made almost entirely from glass, including the floor. Downstairs, the main open plan living and dining area, along with the partly open-plan kitchen, sit on the ground floor, with stairs leading to a study that sits below. The top floor features a large landing and a high-ceilinged master bedroom.
The property needs a creative owner; someone as open minded as it is open plan.
“It’s a unique space,” says Greenacre, “it’s definitely not conventional.” With its whitewashed walls and poured resin floor, the house is reminiscent of an artist’s studio. “It would suit an artist of some kind,” says Greenacre. “It’s such an exciting space; it needs someone special, someone creative.”
With its unique use of space, the property is bursting with character and its own brand of charm.
The original architecture makes it a one-of-a-kind property, yet the white walls and floods of natural light lend it the quality of a blank canvas. Will an artist make it their muse?
Greenacre affectionately dubs it a “Marmite house, you either love it or you hate it,” she says. Hopefully, it will be the former, and the house will find its special someone again soon.