Review: Evita at Regent’s Park Open Air Theatre

PUBLISHED: 14:39 09 August 2019

Samantha Pauly (centre) in Evita. Picture: Marc Brenner.

Samantha Pauly (centre) in Evita. Picture: Marc Brenner.

Archant

Following Jesus Christ Superstar’s resurrection, another Andrew Lloyd Webber and Tim Rice musical gets the Park treatment.

Ektor Rivera and Samantha Pauly in Evita. Picture: Marc Brenner.Ektor Rivera and Samantha Pauly in Evita. Picture: Marc Brenner.

Jamie Lloyd's stripped-down, super-sleek production ditches period trappings, and finds - via electrifying American actress Samantha Pauly - a diva dictator for 2019.

Dressed in a white slip and trainers, rather than wig and ballgown, Pauly's Eva convinces as a fiery, streetwise teenager longing for big-city adventure, while railing against snobs like those who shunned her lower-class family. Pauly blasts through opposition with powerful, wonderfully unforced vocals.

She has great chemistry with Trent Saunders' intensely physical Che, the challenger to Argentina's adored First Lady, while Ektor Rivera's Perón is an image-conscious chancer just like her.

Frances Mayli McCann brings stirring poignancy to "Another Suitcase in Another Hall", Adam Pearce's tango singer is amusingly cheesy (though his predatory behaviour is addressed by a female quartet), and Ellicia Simondwood is scene-stealing as the child used to whip up Saint Eva fever.

Evita continues at Regent's Park until September 21. Picture: Marc Brenner.Evita continues at Regent's Park until September 21. Picture: Marc Brenner.

The sensational ensemble is an expressive force throughout, whether heightening emotional beats or creating explosive set-pieces. Crucially, Fabian Aloise's modern, innovative choreography always serves the drama.

The starkness of Soutra Gilmour's concrete bleachers reflects the Peróns' hollow rule; it's just good "stage management". Creatively, burst balloons signal death, and blue paint blood. However, repeated use of smoke and confetti feels like overkill.

Otherwise, Lloyd makes effective, surprising choices throughout, serving Rice's incisive lyrics and Lloyd Webber's indelible score. Even "Don't Cry For Me Argentina" feels fresh, restlessly ambivalent about whether Eva buys into her own celebrity and fake populism, and if either satisfies her need for validation.

That brings to mind Evita fan Donald Trump, and Lloyd's production confronts the grim consequences of government by ego and deceit. But it's cautiously empathetic towards the scrappy, ambitious woman at the dark heart of this still provocative show.

Rating: 4/5 Stars.

Evita continues at Regent's Park Open Air Theatre until September 21. For more details and tickets, click here.

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