Wallis, Upstairs at the Gatehouse, theatre review: ‘Fresh light on woman who won a king’s heart’
Everyone knows about the American divorcee that cost Edward VIII his throne.
Kenny Morgan, Arcola Theatre, review: ‘Terence Rattigan’s Deep Blue Sea – the true story’
The Deep Blue Sea – a 1952 play by Terence Rattigan that was based upon a true life event concerning his young lover, Kenneth Morgan. Morgan had left the successful playwright’s expensive Albany residence to live in a Camden Town bedsit with a younger bisexual man, with whom he had become besotted.
Kenny Morgan, Arcola Theatre, review: ‘Terence Rattigan’s Deep Blue Sea – the true story’
The Deep Blue Sea – a 1952 play by Terence Rattigan that was based upon a true life event concerning his young lover, Kenneth Morgan. Morgan had left the successful playwright’s expensive Albany residence to live in a Camden Town bedsit with a younger bisexual man, with whom he had become besotted.
Kenny Morgan, Arcola Theatre, review: ‘Terence Rattigan’s Deep Blue Sea – the true story’
The Deep Blue Sea – a 1952 play by Terence Rattigan that was based upon a true life event concerning his young lover, Kenneth Morgan. Morgan had left the successful playwright’s expensive Albany residence to live in a Camden Town bedsit with a younger bisexual man, with whom he had become besotted.
Comeback! Karl Marx the Musical, theatre review: ‘Unusual but good fun’
Comeback! is described in the programme as “funnier than the Communist Manifesto” and “more romantic that Das Kapital”.
Easter 1916, Pentameters Theatre, review: ‘Laudable but dry history’
It’s a hundred years since the 1916 uprising of republicans who were attempting to overthrow the hated English rule in Ireland.
Bar Mitzvah Boy, Upstairs at the Gatehouse, review: ‘Robust Jewish romp with truly singable tunes’
A previously neglected musical adapted by David Thompson from Jack Rosenthal’s original story about a boy who runs away from his Bar Mitzvah has been transformed from an important play on teenage angst and family values into a robust Jewish romp with loads of irresistible humour.
Bar Mitzvah Boy, Upstairs at the Gatehouse, review: ‘Robust Jewish romp with truly singable tunes’
A previously neglected musical adapted by David Thompson from Jack Rosenthal’s original story about a boy who runs away from his Bar Mitzvah has been transformed from an important play on teenage angst and family values into a robust Jewish romp with loads of irresistible humour.
Bar Mitzvah Boy, Upstairs at the Gatehouse, review: ‘Robust Jewish romp with truly singable tunes’
A previously neglected musical adapted by David Thompson from Jack Rosenthal’s original story about a boy who runs away from his Bar Mitzvah has been transformed from an important play on teenage angst and family values into a robust Jewish romp with loads of irresistible humour.
Theatre review: Belfast Famine at Pentameters Theatre, Hampstead
This atmospheric tale of life in a 19th century Belfast boarding house could do with a little more direction, says Aline Waites
